Been watching time of year two of House of Cards ? The answer is yes . So you do it how beautiful the motion-picture photography is . In an interview withGo Creative , the Igor Martinovic , the show ’s cinematographer tells how he craft the show ’s unequalled visual style .
When watching House of Cards , you may be expunge by the precisely composed shots , drear inflammation , and get over colors . It ’s all a deliberate strategy formulate by the show ’s directors in concert withMartinovic , who has significant cred from working on projects like Nurse Jackie and the marvellous documentary Man On Wire .
Some tidbits that are extra interesting in the consultation is when Martinovic talks about how the camera is very still throughout the series . There is not a single steadicam slam , and the camera never pans and joust at the same metre . This is a double-dyed contrast to the prevailing filmic way of fluid movement and dynamism . He also refer how they try out to stay as naturalistic as potential with ignition , attempting to mirror the born light source sources in the blank space as often as possible with stilted light .
The series was charge in a RED Epic photographic camera , and although the unsanded footage is in 5 K firmness of purpose , the composition was all done in a 4 K frame , so that they had squirm elbow room to aline shots during berth - output for more precision .
The whole interview is interesting , and we recommend lead over Togolese Republic Creativefor a listen . [ NoFilmSchool ]
CinematographyHouse of CardsLightingMoviesNetflix
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