Some of the most fascinating thing about Starz ’s adjustment of American Gods roll around themajor change madein order to make the show sense contemporaneous . Neil Gaiman first penned the original novel back in 1999 when the world was a drastically unlike place — and head into time of year two , the show is still coming up with unique means to appease relevant .
When I spoke with Gaiman at New York Comic Con this twelvemonth , he convey up the Technical Boy — a god of modern technology — as the complete representative of a character who would study as supremely dated by today ’s standards . Rather than being a stereotypical , basement - dwelling nerd with a fondness for telephone dial - up modem , Starz ’s take on the new god is instead a supremely - skilled vape fiend whose optic esthetics constantly commute as a mirror image of the speed at which modern technology is ingeminate upon .
More necessary changes are coming toAmerican Gods in its second season , both in response to a phone number ofcast penis leavingand because the series is exploring new aspect of American society that are just different than they were at the turn of the century . Gillian Anderson ’s Media is n’t dead , Gaiman excuse — she ’s out there somewhere in the reality . But the goddess of New Media ( portrayed by Kahyun Kim ) is ascendant in a way of life that ca n’t be ignored :
“ The large affair that simply did n’t live in the book was social medium . That was why we knew we require a New Media . You know multitude go “ Oh , the New Media , so you ’ve substitute Media ? ” And it ’s like “ No , no Media … she ’s somewhere still out there wandering around . She just has less and less multitude watching her , less notion and power . New Media is New Media .
It ’s that material . It ’s the fact that everybody … we’re in this kind of strange , Snapchat - y generation where likes seems to matter , but we do n’t really lie with what they stand for . All we know is we get this petite small endorphin buzz from being told that we ’ve been given them . That kind of thing I think is very new . ”
Gaiman also added that time of year two will unpack the nature of the American surveillance state in the form of a new character partly free-base on the four - eyed giant star Argus of Greek mythology , who ’s known as a symbol for the approximation of encroachment and monitoring into all aspects of one ’s animation . While Gaiman would n’t go into item about the fictional character ’s role in the show , he described how the inspiration for it came from a personal experience in his own life :
“ One of the thing that we did n’t have when I write the book was that we were not observed . Now there are cameras on us most of the prison term . I think discovering how much we ’re watch once when my rucksack went missing in a hotel and I wound up being lead into the security gut .
[ On the camera ] , they replayed every bit of my movement so we could figure out what had materialize to the backpack . And actually what had take place was we realized that it had made it all the means into the room with me and then had been carefully put aside into a closet by a cleaning individual who had locked it away from me . I had no idea you could do that and [ the security measure people ] were like ‘ oh , yeah . you could do that anywhere now . ’ ”
American Gods devolve to Starz in 2019 .
Keep check io9 for more from this twelvemonth ’s New York Comic Con — and lead to our unexampled Instagram for lots of fun cosplay from the show:@io9dotcom .
FantasyNeil GaimanNew York Comic ConStarz
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